Since March 2020 Ireland has been in and out of rolling lockdowns and access to my studio has been intermittent and often non-existent. Being confined to my home studio has presented me with the opportunity to explore Mokuhanga printing – traditional Japanese woodblock using water-based inks. I am quickly falling in love with the delicate layers of colour and soft marks that can be built up on the paper which complement the hard lines of the cut block beautifully. The process is a demanding one – the amount of water on the block, the type of paper used, how the ink is brushed into the wooden block will all affect the resulting print, and I have years of learning ahead of me! But it has been very rewarding to have the time to explore this new technique during this strange time where the world seems to be standing still for us.
Now more than ever I am interested in explorations of a utopia or an otherworld. As I look out my window, I am surrounded by neighbouring houses on the estate where I live. Each day I walk to the sea or the park beside me and breathe! The wide open space and the vast and changing skies remind me of the greater world beyond my 5km. The prints are a reflection on this experience, and at the same time a yearning for places beyond my reach, an ode to the unattainable. They are landscapes, unpeopled except sometimes by a house or a group of houses, looking towards the horizon. There is a dreamlike quality to the series which I hope allows the viewer a space in which to ponder. Sometimes the prints veer closer to abstraction with a shape or a colour suggesting a mood or a feeling. Certainly for me in a small home studio with a busy house around me, carving out even a few short moments in which to think is a rare and precious occasion.
All my new prints are up on my shop or in the Mokuhanga gallery on the website. Pop over and have a gander!